Gustavo Aguilar percussionist, composer, and improviser, has been honing his craft as a music artisan for almost two decades. His commitment to combining pre-composed (notated) and present-composed (improvised) musical elements has earned him the reputation as an "intuitive, methodical mystic." A champion of Contemporary New Music, Gustavo has performed at major festivals throughout the Americas, Europe, Asia, and the Pacific, including IRCAM's Festival Agora (Paris), the Zagreb Biennale International Festival of New Music (Croatia), the Acousmania International Festival of Electro-Acoustic Music (Bucharest), the Jooksan International Arts Festival (Seoul), the Green Mills Project (Melbourne), the Los Angeles Philharmonic's Green Umbrella New Music Series, and the Interpretations Music Series (NYC) among others. He has worked closely with some of the most innovative composers of our time, including Ana-Maria Avram, Chaya Czernowin, Anthony Davis, Iancu Dumitrescu, Julio Estrada, Art Jarvinen, Anne LeBaron, Annea Lockwood, and Roger Reynolds. For well over a decade, Gustavo has dedicated himself to Creative Music—an approach to composition and improvisation with roots that can be traced to the 1960s and to Chicago's African-American music organization, the AACM (Association for the Advancement of Creative Music). He has studied under, performed with, and developed a close working relationship with Creative Music luminary and AACM member, Wadada Leo Smith, appeared as a soloist/group collaborator at such festivals as the Ulrichsberger Kaleidophon International Jazz and Improv Festival (Austria), the Copenhagen Jazz Festival (Denmark), and the American Composer's Orchestra Improvise! Festival (NYC), and performed and/or recorded with such creative artists as John Bergamo, Anthony Braxton, Roy Campbell, Nels Cline, Anthony Davis, Mark Dresser, Lisle Ellis, Vinny Golia, Charlie Haden, Earl Howard, Tim Hodgkinson, Kang Tae Hwan, Anne LeBaron, George Lewis, Mary Oliver, Park Jae Chun, J.D. Parran, and Adam Rudolph.